![]() Let’s add a couple of sampled loops to give our beat some more flavour. Set the Mix to 3.3, the Color to 2.5, and the Size to 4.8 for a large reverb sound. Then, open the Effects panel and add a Reverb > Studio Reverb effect. This is just for flavour – we’re going to create a dedicated track for the snare so we can put a big dubstep reverb on it.Ĭreate a new instrument track, again select Drums Pads and Dubstep Kit, and this time just place a snare on the third beat of each bar. Next add a finger snap on the third beat of each bar. The kicks are a little loud, so drag over the kicks to select them, and turn their Velocity down to 84. ![]() Duplicate the kicks on the second bar, then delete the final kick. Set the Velocity to 80, giving us a natural-sounding dynamic change in level between the eighth and sixteenth notes.Īdd kicks on the first beat of the first bar, halfway between the second and third note of the first bar, and on the fourth beat of the first bar. ![]() So, if we turn down the Velocity value, only every other note will be affected. Now we have closed hats on sixteenth notes, with every other note selected. Double-click the MIDI clip to edit it, then double-click on the closed hat track to add closed hi-hats on eighth notes.ĭrag over these notes to select them, then hold on Mac or on Windows and drag them an eighth note over. Drag the handle at the bottom right hand corner of the clip to set it to two bars in length. Right-click on the virtual instrument track and select Create Region to create a MIDI clip. Now we need some drum sounds, so click the + Add Track button, select the Instruments option, the select Drum Pads and Dubstep kit in the Instrument settings. Setting the tempo and picking a kitĭubstep tracks are often bang on 140BPM, so we’ll start by setting the project tempo to that very figure: click on the project tempo and enter a new value of 140. Read more: How to create a garage beat on BandLab 1. You can open this project yourself by forking the beats below and use it for the basis of your own productions. ![]() Here are six easy steps that show you how to make a dubstep beat that you can use as a foundation for your own track. BandLab can be accessed on both smartphones and web browsers, making it easy for collaborators to add vocals to your tracks. In this tutorial, we’ll show you how you can create an upfront dubstep beat in BandLab, a free online digital audio workstation that allows you to share your beats with friends anywhere in the world. The heavy, dub-influences basslines prevalent in the genre would move into the mid-range thanks on DnB-inspired tracks like Rusko’s “ Cockney Thug” and Caspa’s “ The Terminator”, and this rougher take on the dubstep sound would inspire American producers such as Skrillex and Excision to take the genre to strange new places on tracks such as “ Scary Monsters and Nice Sprites” and “ X Rated”.ĭubstep currently remains an extremely wide church sonically, with a clear gulf between the likes of the neuro DnB-esque “ Sorrow Tech” by Must Die! and the more rootsy garage-inspired “ Chemz” by Burial. The combination of fast hats and slow-motion snares can be heard on 00s tracks such as El-B’s “ Ghost Rider”, Benga & Coki’s “ Night” and Skream’s “ Midnight Request Line”. You can further expand on this idea by running them all through different effects chains.As we mentioned in our guide to making a garage beat on BandLab, dubstep evolved from UK garage music, taking the sound far from its New York house roots with the introduction of dub reggae and drum ‘n’ bass influences.Ģ-step garage tracks such as Ramsey & Fen’s “ Luv Bug” eschewed the four-four rhythms of house music opting for DnB-inspired ‘broken beats’, and dubstep tracks took these rhythms in a new direction with halftime snare patterns. Do it a few times, and you've got a library of bass wobbles that all follow the same bassline.
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